Sarah Welch-Larson – Chicago Indie Critics

New from Sarah Welch-Larson on Ghost: 38: Poker Face

Poker Face is a mystery-of-the-week TV show with a thin sketch of a motivation keeping its main character on the move from place to place. There's no…… Read more “New from Sarah Welch-Larson on Ghost: 38: Poker Face”

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I mentioned last week that the Chicago Indie Critics–my critic circle–is holding our 2022 awards ceremony this weekend. That ceremony happens tonight, and if you'd like to…… Read more “New from Sarah Welch-Larson on Ghost: 37: Holding Pattern”

I spent this past week catching up on a few remaining 2022 releases for the final round of voting for the Chicago Indie Critics. (We released our…… Read more “New from Sarah Welch-Larson on Ghost: 36: Cats and Kids’ Movies”

Mad God is a stop-motion nightmare, a film that reads like a Boschian painting, a voyeur’s dream, and a dire warning all at once. from Sarah Welch-Larson,…… Read more “New from Sarah Welch-Larson on Bright Wall/Dark Room: My God, It’s Full of Stars”

Last week I looked back on the art that got me through 2022; this week I'm starting to think about the art I'm most looking forward to.…… Read more “New from Sarah Welch-Larson on Ghost: 35: Looking Forward”

On Kogonada’s After Yang and its depiction of grief, love, belonging, and the lovely, wounding ache of memory. from Sarah Welch-Larson, Author at Bright Wall/Dark Room https://ift.tt/zSRBEfo…… Read more “New from Sarah Welch-Larson on Bright Wall/Dark Room: Saying Goodbye”

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This weekend a female pop singer-songwriter with blonde hair, a distinctive voice, a knack for writing sharp lyrics and hooks, and a keen sense of her audience…… Read more “New from Sarah Welch-Larson on Substack: 24: Beach Houses and Pop Songs”

These monthly bonus essays are for paid subscribers. Thank you for reading, and thank you for helping me keep the pilot light on. Read more from The…… Read more “New from Sarah Welch-Larson on Substack: On Boris Karloff”