Brian Thomspon of The Young Folks reviews “Come Sunday”


Spring is upon us, which means flowers are blooming, love is in the air, and a slew of faith-based movies have come along to monetize the cultural capital of Easter. They range from jarringly unwatchable (God’s Not Dead: Light in Darkness) to somewhat emotionally adept (I Can Only Imagine) to, in the case of Come Sunday, ethically disoriented. While it offers up the seedling of a thoughtful conversation around grace and doubt, director Joshua Marston’s latest effort plays it too safe to be affecting.


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