There is a war raging in the comic book cinematic universe where filmmakers think that these kinds of films should embrace their over the top (verging on campy) nature while others think they should be darker and made deathly serious. “Logan” proves that they are both wrong as it strikes a balance between all of those elements while remaining true to the character.
I have always had an unreasonable affinity for the character of Logan/Wolverine. He embodies the rage inside all of us that we don’t have an outlet for in our “polite” and “civilized” society. The anger never ends up being plain anger; there is always a cause or reason for it. It is this sort of character complexity that makes “Logan” stand out from any other “Wolverine” or “X-Men” film. Slowly, Logan/Wolverine has been developed and defined, with each film chipping away at the complicated exterior. Screenwriters Scott Frank and Mark Bomback made a huge contribution to the film “The Wolverine,” where we see our hero explore more of his history and seeing how confronting old demons could shape his future. He is haunted by the death of someone he loved and was forced to kill. It made him question his mortality and purpose. We glimpse into a character full of pain and regret, and we witness him make the choice to continue fighting, not as The Wolverine, but as the man, Logan.