Daniel Nava reviews “John Wick: Chapter 2” on Chicago Cinema Circuit

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The aerial shot of the New York City-scape that opens Chad Stahelski’s John Wick: Chapter 2 features the brief but unmistakable image of Buster Keaton’s Sherlock Jr projected aside a skyscraper. Stahelski, a stuntman-turned-director, pays tribute to the messiah of cinematic physicality, submitting a fever dream of violent giddiness that’s heart-delaying in its beauty. The lineage of reference here is not one ingrained in modern action filmmaking but rather, much like Mad Max: Fury Road and the debt it pays to films like Battleship Potemkin and The Phantom Carriage, rooted in the silent comedies of Chaplin, Keaton, and Lloyd; filmmakers that expressed their anxieties and wrath through the physical. The architecture of John Wick: Chapter 2 recognizes the foundation that the three silent comics, particularly Keaton, have on contemporary action filmmaking, and as such, Stahelski crafts something that’s all at once modern and timeless.

CLICK HERE TO READ DANIEL’S FULL REVIEW!

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