Blake Crane reviews “Assassin’s Creed” and “Passengers” for Film Pulse



Assassin’s Creed, like many formal creeds, is a long, needlessly-complicated statement of beliefs. And plot. It’s a plodding, talky bore. There’s introductory text and two prologues, but really the entire movie feels like one giant, nonsensical preamble to…something. Based on the popular Ubisoft video game series, Assassin’s Creed plays like a collection of cut scenes that gamers, and movie-goers, would want to skip through to get to the good stuff.


Passengers isn’t the movie that’s advertised in the trailers. To be fair to the marketing though, it’s hard to sell a film that never decides what it is. And why not try to push a sci-fi romance between likeable stars Jennifer Lawrence and Chris Pratt? Indeed, the charmers play two of many Earthlings traveling to colonize a distant planet. And yes, they are awoken from hypersleep 90 years early, but the circumstances make it impossible to go along with the love story.


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