Alain Guiraudie’s unique brand of pansexual Surrealism has accrued a steady cinephile following since 2001 when his second feature, THAT OLD DREAM THAT MOVES, drew praise from no less a luminary than Jean-Luc Godard. The transgressive director’s international breakthrough didn’t come until 2013, however, when his sexually explicit serial-killer thriller STRANGER BY THE LAKE took Cannes by storm. STAYING VERTICAL, Guiraudie’s darkly comedic follow-up, is as narratively loose and shaggy as STRANGER is tight and compressed, and is likely to puzzle viewers unfamiliar with his non-narrative earlier work.
Even if his films no longer make as big of a splash on these shores as those of younger contemporaries like Paolo Sorrentino or Matteo Garrone, Marco Bellocchio (FISTS IN THE POCKET) remains Italy’s greatest living director. Eschewing the controversial subject matter of recent works like VINCERE and DORMANT BEAUTY, the maestro’s latest feature is a bittersweet drama about the lifelong attempts of journalist Massimo (Valeria Mastrandrea) to come to terms with his mother’s death.